04-23-2016, 01:38 AM
We'll definitely discuss it more in-house but, to be fair, we have had many, many complete films and TV shows previsualized using FrameForge to great success. So, while I appreciate that the program's work-flow may not be optimal for the way you work and think, I feel that the solution you propose would not be the most intuitive to many of our other users.
In any case, our future versions will offer other options for workflows, including one which I am sure resolve most of your issues in a simpler, more direct manner. However, I can't say more beyond that at the moment, nor can I offer a time-frame though we'll definitely keep you in mind for a beta tester when we get that point.
I will leave you with one immediate suggestion though. In your proposed sequence you had two dramatically different scenes in the same "set." What we'd recommend in that case is that you shoot the first sequence (the night shots) and then clone the set for a day shoot and then you have two versions, each with the same basic set dressing but which can be percolated separately and given dramatically different lighting and object states.
In any case, our future versions will offer other options for workflows, including one which I am sure resolve most of your issues in a simpler, more direct manner. However, I can't say more beyond that at the moment, nor can I offer a time-frame though we'll definitely keep you in mind for a beta tester when we get that point.
I will leave you with one immediate suggestion though. In your proposed sequence you had two dramatically different scenes in the same "set." What we'd recommend in that case is that you shoot the first sequence (the night shots) and then clone the set for a day shoot and then you have two versions, each with the same basic set dressing but which can be percolated separately and given dramatically different lighting and object states.